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Monthly Artist: February 08

Christopher Rauschenberg was born in New York in 1951, has practiced photographic art since 1957, and has a B.A. in photography from The Evergreen State College in Olympia, Washington. He taught art and photography from 1982 to 1996 at Marylhurst College in Lake Oswego, Oregon. He has photographed in Argentina, Austria, Brazil, Canada, China, Cuba, the Czech Republic, Denmark, England, France, Guatemala, Germany, Honduras, Holland, India, Italy, Mexico, Slovakia, Spain, Sweden, Switzerland, Thailand, the United States and Uruguay. He has had 81 solo shows in Argentina, Germany, Italy, Sweden, the United States and Yugoslavia. His work has also been featured in group shows in Canada, the Czech Republic, France, Germany, Slovakia, Sweden and the United States. Available monographs of his work include two books and a deck of cards. He has recently completed two large projects. In one, he has organized a group of a dozen artists who joined him in a nine year long systematic photographic exploration and documentation of the city of Portland ñ and then immediately organized a second group of artists for a second nine year cycle (Portland Grid Project). In the other, he took three trips to Paris and re-photographed 500 of the images made of that city by Eugene Atget between 1890 and 1927. A book of his Atget Project will be published by Princeton Architectual Press in Fall, 2007.

ARTIST-IN-RESIDENCE PROGRAM Daily Movement Journal, Weekly Performance Happenings, Monthly Guest Artist Series, Place-based Installations, Big Dance Event (Jul/08), Summer Stage (Aug/08)

MONTHLY GUEST ARTISTS Tim DuRoche (Sep/07), Dana Lynn Louis (Oct/07), Dmae Roberts (Nov/07), Tahni Holt (Dec/07), David Oates (Jan/08), Christopher Rauschenberg (Feb/08), Adam Kuby (Mar/08), Mark R. Smith/Maria Inocencio (Apr/08), Horatio Hung-Yan Law (May/08), Linda Wysong (Jun/08), Bill Will (Jul/08), Sojourn Theatre (Aug/08)

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Enjoying Chris Rauschenberg

March 3, 2008

rauschlooking.jpgIf you missed the gathering or the accumulated installation of Chris Rauschenberg’s project for the South Waterfront, you can click here to see the 60+ images that he captured of the interior life of the neighborhood.christalks.jpg  

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Looking at the South Waterfront Through the Lense of Chris Rauschenberg

February 21, 2008

When I hear people talk about the South Waterfront district, the conversations most often center on the “green” nature of the architecture, on the development’s proximity to the river, or on the unique access to public transportation found in the tram and streetcar.   Thus far, all of these aspects of the neighborhood have been well documented photographically, particularly the buildings themselves.   Enter the incredible photographic artist, Christopher Rauschenberg, February’s guest artist in the AiR program.  Chris was much more interested in what and who was inside the towers.  As he puts it, the everyday “living and being” of the place.  We queried residents to see if they would let Chris eddying in their homes for an hour or so in order to let him capture the more human side of the development.  What resulted was 12 invitations and 60+ images now on the walls in the AiR studio.  With several residences and a week still to go, the totality of Chris’ portrait of the inside life of the neighborhood is still emerging.  Below find some samplings from early visits.  Please plan on joining us in the studio - Thursday, Feb. 28th, from 6:30-8p, for the culminating exhibit of Chris’ project - Looking at the South Waterfront. Rauschenberg - outside _mg_0302.jpg  img_2084a.jpg  _mg_0235.jpg_mg_0229.jpg 

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The Party Project in photos

December 31, 2007

On Saturday, Dec. 22nd, over 125 people taunted the rain and cold by venturing down to the SWF to see Tahni Holt’s - The Party Project.  The fourth artist in the SWF Monthly Guest Artist series, Tahni worked with a cast of 30 volunteer performers, musician/composers Kate O’Brien-Clarke, Corrina Repp and Joe Haege, and lighting designer Bill Boese to create a strolling dance event that caught the only dry spell in nearly two straight days of rain.  If you missed the performance or want to be reminded of some of its beauty, a chronological photo essay follows.  All these photos and the others on AiR page are by Yalcin Erhan, the AiR Program photographer. The Party Project by Tahni Holt (everyone is invited!)Folks began to gather at about 3:45p in the Bella Espresso for a 4p show.  While frigid outside, everyone was greeted with hot cider or cocoa to warm their bones.   When critical mass had happened, we moved everyone outside for short introduction.The Party Project in photosEnough said, let the performance begin!   Space #1  -  A leased but as yet unbuilt-out retail space in the base of Atwater Place.  the-crowd.jpg  insideoutside.jpg  The Party Project in photos inside_2.jpg The Party Project in photos After a toast and then some breaking of glass (cups not windows), the audience strolled in a caroling-style fashion to site #2 - a second floor balcony on the courtyard of the John Ross plaza.   serenade.jpgThis time from below, the audience watched the second scene. The Party Project in photos gordonquintet.jpg  johnlillyjpg.jpg quintetswoon1.jpg small-balcony.jpgAt the conclusion of episode two, all were finally invited inside into the Artist in Residence studio for the third and final event, an actual party (birthday).  party.jpg The Party Project in photos partylkj.jpgThis is just a glimpse of 30 minutes of stunning performance.  Visit the site again in a few weeks to see video clips from all three sites. 

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Stay tuned…

August 15, 2007

Our monthly guest artist series continues with Christopher Rauschenberg in February 2008. Join the discussion as he writes about his experiences in creating art that celebrates the South Waterfront community.

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Linda K. Johnson has been a professional dance artist based in Portland, Oregon for the last 20 years. She has taught, performed, created and produced extensively throughout the region. Her concerns as an artist are social and environmental, and her projects have often addressed these interests in hybrid and unconventional compositional forms, formats and venues.

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